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On North Pond

by Lonesome Joan

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  • Cassette + Digital Album

    I'm only putting up a few of these for sale on Bandcamp for now, otherwise you can get them from me in person. I might add more, I might not. All the lyrics there in teeny font for your perusal, along with a few doodles and designs.

    Duplication and printing was done by Cryptic Carousel.

    I think they're neat, I hope you enjoy them.

    Includes unlimited streaming of On North Pond via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
2.
Hermitage 05:14
sorry to wake you, oh I know that I should be ashamed saw through the window you had too much to eat all on your own but I am always eating alone parting shots another half pint of whiskey before I go like some half-mad prince who's steelin the nerve to start liftin a curse so tell me, tell me, queen of all mirrors, do you believe when I call you the fairest of all watch my shot go wide as a kite in the wind swing and a miss here I go another standard lunar landing, through hundreds of miles of glide slope lights and I could stay up here forever, I'll take my time, til everyone I know forgets my me my mine I'll give my dead name up to a dead world my dead name up to a dead, dead world and you can mark my wrists with all I've lost you'll leave them clear, unscarred, and soft you can mark my wrists with all I've lost you'll leave them bared, unscarred, and soft
3.
wounds don't heal like they used to you should have seen me when I was lord of the woods. why shouldn't I have claimed it for my own? no one was around - I was in control I was in control. dead of winter, leave the tent. left fifteen paces. left again. do my business. twenty back. again - ruled over my own paradise I hear it beating through the plexiglass the brilliant man, the brilliant villain walked up to heaven, they dragged him back, they dragged him back was he crazy? was he crazy? was I crazy? or content -
4.
nervous men in orange jackets thin as wires gathering current in their pacing and I'm among them, and I'm alone you asked how I sleep, I stole, I was a thief, you asked how I sleep, little, and uneasy let's pretend I'm some telemarketer you'll never have to touch life of my own easier to think you don't know that I live in a spare room of my own heart a spare room of my own heart's halls where I've been tryin to see joy as an act of rebellion whimsy as a gauntlet thrown here's a joke: technically, it's enough water for a lifetime if I stand in the rain with my mouth open til I drown - swing and a miss amiss, amiss, somethin's amiss amiss, amiss, shoot wild for me and miss though I'll take another shot of rye if you're buyin this time. I used to be the feeling of a childhood nightmare dispersed in the light, absurd but hard to shake, hard to shake, hard to shake, hard to shake - couldn't I be somebody's good dream just once?
5.
the thing I like about words on paper is they too rot and deteriorate and for that ruin I've come to know them as alive alive but the danger of a diary's daily dalliance is it keeps track of everything I am, and I've been, and I will be so I can walk out on a dead world so I can walk out on a dead world where a half moon's half as much light as I need to open an old truck long rusted shut keeping the keys, like an underwater letter opener left by one liar for the other waiting obediently dogged at the door for correspondence to give it purpose. I am ruining this, I am ruining this, I am running the water over the mirrors I am ruining this, I am ruining this, I am running my hands over your soft words again so if you see me, don't say hello - I'm afraid of my own greed my miser's hands grow crooked around your easy speech I am ruining this, I am ruining this, I am running the water over the mirrors I am ruining this, I am ruining this, I am running my hands over your soft words again
6.
Hiker 03:31
[instrumental]
7.
Fink 03:07
I'm tempted to say, "nothing personal" but these kinds of things are always personal go home to your wife and children this story'd be better if it went unwritten there isn’t nearly enough nothin in this world anymore
8.
Lilac Season 03:39
when I heard seagulls, they sounded like my children when I heard ducks they sounded like old men arguin when I heard chickadees I knew it was lilac season and after a bad winter all I could think was "I'm alive" alive
9.
half moon mirror, how am I supposed to know you half moon mirror, how am I supposed to cross you am I at peace, am I a piece, am I in pieces, am I comin to peace with it half moon mirror, how am I supposed to show you half moon mirror, how am I supposed to cross you how can I describe what it was like to be completely free? completely free. maybe it's enough to finally be (as if anything is) anything does anything else maybe it's enough to finally be (as if anything is) anything does anything else how can I describe what it was like to be completely free? just get enough sleep

about

I wrote these songs because there was a series of images I couldn't get out of my head, a set of answers I wanted to trace back to their questions, and a story I wanted to wholly disassemble.

Near the end of working on this album, I traveled to the place this story is about, to take field recordings and touch the earth. I learned absolutely nothing. I realized that by bits and pieces I'd already been inhabiting a Forest of Theseus. For myself, I'd made the real, living place into a dead world.

The worst part about living in a dreamworld is that you always, eventually, have to leave, and almost always will try to tell someone else about it. And almost always you will fail, and almost always they will fail to understand, and hopefully there is ample forgiveness between anyone attempting to bridge that chasm.

In finishing this, I've intently tried to fail to retell the story I originally read. I hope it is a beautiful failure.

-LJ

credits

released October 23, 2023

Guitar, vocals - Amanda J. Lozada
Drums (tracks 2, 3, 4, & 7) - Matt Vuchichevich
Vocals (track 1) - Joe Stohlman

Cover art by Amanda J.Lozada
Songs & Arrangements by Amanda J. Lozada
Drums on tracks 2,3,4, & 7 recorded by Matt Vuchichevich
Recorded & mixed by Amanda J. Lozada
Mastered by Mica Travis

The songs on this album were all written over the course of one weekend in 2019 and recorded between 2020 and 2023 at two home studios in Boston and Braintree.

Special thanks in no particular order to Kal A. for his deliberate and constant support and love, James I. for his stern dressing down, Julie & Jackson for their persistent joy, my parents and brother for the obvious things, Sophie & Jacob & Virgil for always tending their gardens, green or not, Jon P. for so many breakfasts, Gamera Jones for all their words, Matt O. for production advice and album recs, Ben G. for splitting an order of tteokbokki, the extended Bummer City universe, The Chess Company for giving me and mine a second home on the South Shore, Joe & Jesse for their passion and hospitality, Dan T. for trusting me to help refelt the Rhodes, Sandy M. for all the conversations about music we will not get to have and all the ones we did, pt for their care and persistence, MSV for being by my side through these woods and happily many more.

And thank you, as well, to the person I wrote this album because of and without, who does not know me and whom I will likely never know.

I am endlessly grateful to the unmentioned network of people in my life who support and care for me, but without these people this album would have never been started or finished.

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Lonesome Joan Boston, Massachusetts

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